It’s obviously incredibly late to be listing my favorite albums from a year that’s been over for almost two months now, but nonetheless, I had to get this post done for pure catharsis sake. I’ve been busy with various projects and haven’t had time to devote to the site in a while. Honestly, this list looks like crap format-wise and probably doesn’t make any sense, but I had to get it done and posted to get that weight off my shoulders and move forward with new stuff for the blog. If you see something on there that sounds interesting, look em up, and if you can’t find any info, message me on Facebook and I’ll link you to their music. Enjoy!
1 Saint Vitus – Lillie: F-65
This is one of the few albums I heard last year that truly is perfect all the way through. Though the album only has five real songs, each one of those songs is one of the greatest Saint Vitus have ever written. I think part of my obsession with this album is because it only has five actual songs, so there isn’t much to take in, and also because I’ve seen all five of those songs played live twice this year and every one of them sound WAY better live than they do in the studio.
2 Napalm Death – Utilitarian
The best grind album of 2012, and possibly one of the best of their career. Every song on here is laden with hooks, but also some incredible blasts of grind fury. Napalm Death have once again claimed their crown of best grind band ever.
3 baroness – yellow and green
This record was my favorite of the year for a while until the very end, honestly. It’s completely different from every other album they’ve ever put out and both discs are a rollercoaster of badassery, without question.
4 converge – all we love we leave behind
The heaviest hardcore band on the planet got heavier and more ridiculous.
5 overkill – the electric age
This album, along with Royal Thunder, was my biggest surprise of the year. I knew Overkill would come out swinging for the fences, because that’s what thrash metal icons do, but I had no idea they’d knock the cover off the ball like they did with this record.
6 christian mistress – possession
I normally don’t dig female vocalists much, but this band is the major exception to the rule. Heavy as balls riffs, coked-up rock n’ roll fury and songs catchier than Jerry Rice in Super Bowl XXIII.
7 testament – dark roots of earth
Testament are one of my favorite thrash bands of all time and this record just goes to show that they still have it. Native Blood might be my favorite song all year.
8 pallbearer – sorrow and extinction
This is one of the greatest doom albums I’ve ever heard, without question. Riffs so heavy they’ll knock the fillings out of your teeth.
9 graveyard – lights out
People always talk about how rock n’ roll is dead, but if they’ve ever heard these Swedish monsters, it’s obvious that rock n’ roll is VERY much alive.
10 royal thunder – cvi
Incredibly bad ass bluesy, southern rock n’ roll. I hadn’t listened to them much prior to this year, so this album would have to be my biggest surprise of the year, without question.
11 deftones – koi no yokan
I haven’t heard a Deftones album since Self Titled that I wasn’t obsessed with, and Koi No Yokan was no exception. They have once again incorporated beautiful vocals and atmosphere with seven-string riffs that kill, and a powerful rhythm section. I would say this is definitely one of the best albums of their career, without question.
12 torche – harmonicraft
Any time Torche puts out a new album, they seem to unleash something new upon the world. With Harmonicraft, they somehow managed to include, ridiculously heavy, signature Torche riffs with elements of arena rock and pop punk. Fantastic driving album.
13 neurosis – honor found in decay
Neurosis have released yet another album that sounds like Neurosis, but doesn’t resemble any other album in their back catalog. It’s one of those albums that has so many elements in it, that you hear something new on each spin, and it can’t be classified under any real genre because it just sounds like Neurosis and not much else.
14 horseback – half blood
2012 was definitely the year of Relapse Records. One reason is because of bands like Horseback who completely pushed beyond genre limitations to create one of the sickest psychedelic rock albums ever. It’s got occasional black metal vocals sung over soothing, trippy, bass-driven rhythms that just melt my heart.
15 pig destroyer – book burner
I am a pretty big fan of Pig Destroyer, but upon hearing Book Burner, I became much more obsessed with them. This record has all of the elements that make them great, but they also added Adam Jarvis from Misery Index on drums, which took them to a completely new stratosphere of heavy.
16 conan – monnos
Words can’t express how disgustingly heavy this album is. It’s got the hugest, fattest tones i’ve ever heard on a doom album. These guys are the Yokozuna of British doom metal.
17 meshuggah – koloss
Meshuggah are one of my favorite bands on earth, so it wasn’t surprising how good their new record was. What did surprise me, however, is how they were able to slow it down and change their pace just enough to avoid sounding like they were ripping off the genre they unintentionally created.
18 cattle decapitation – monolith of inhumanity
I’ve always had respect for this band, but this is the first album of theirs that really blew my doors off. It’s got all of the usual brutal death/grind riffs going on, but the real star of the show is Travis Ryan’s version of clean vocals, which consists of disgusting, undead howls.
19 liberteer – better to die on your feet than live on your knees
When I first heard this album, I was completely floored. The stunning mix of HM2 death metal with grindcore and civil war type passages is absolutely crushing.
20 asphyx – deathhammer
This album is part two of Martin Van Drunen’s brutal death metal assault in 2012. It sounds like an Asphyx record, obviously, but with the fantastic production of the record, it’s helped them continue to reign as one of the heaviest bands on the planet.
21 black breath – sentenced to life
The cool thing about this band is the fact that they took a style like old school Entombed-style death metal that’s very old and familiar, and they added their own hardcore influence to make it even more intense and pummeling. This is a perfect mosh-pit album.
22 municipal waste – the fatal feast
At this point, it’s very easy to lump Municipal Waste in with the 80′s thrash bands as one of the best thrash bands of all time. Their new record continues that legacy with a ton of awesome thrash/punk anthems, as well as an appearance by John from Nuclear Assault which rules.
23 corrosion of conformity – corrosion of conformity
This is the first COC album in forever without Pepper on guitar, and in my opinion it’s one of their best. The mix of their doomy rock n’ roll era with their hardcore punk/thrash roots is just delicious.
24 incantation – vanquish in vengeance
This is another album that caught me by complete surprise. It’s an old school death metal album, but it’s also got a lot of slow, devastating doom riffs that add an extra 100 lbs to their already insanely heavy death metal.
25 pilgrim – misery wizard
In my review of this record, I stated that this band is like the football team that wins by running the ball up the middle and playing violent defense. The reason I said that is because this album is a slow, plodding, thick slab of doom that rarely changes pace and beats you to death every step of the way.
26 grave – endless procession of souls
I’m obviously a sucker for old school death metal and Grave are one of my favorite bands of the genre. This new record is just another gory chapter in their fantastic discography.
27 grand magus – the hunt
This album caught me by complete surprise with how catchy it is. It’s got a lot of heavy, bone-crushing riffs, as well as some epic Norse-themed lyrics, and it’s impossible to not headbang to.
28 the sword – apocryphon
I’ve always been a big fan of this band, and this record is another flawless part of their discography. It’s got all the foot-stomping classic rock/doom influence, as well as the cool sci-fi element that makes them continue to be interesting.
29 enslaved – riitir
Enslaved are a band that has been able to continually change and progress over the years, and with this record, they brought that progression to it’s highest peak yet. The vocals on this album are much cleaner than on previous records, which actually gives it a bit of beauty at times.
30 inverloch – dusk subsides
This band was formed in the ashes of dISEMBOWELMENT, and they picked up right where they left off. Slow, plodding funeral-esque passages lead to huge, monstrous doom riffs and back to a crawl again. It’s a shame this album wasn’t a full length, because it is truly intense.
31 paradise lost – tragic idol
Though they are a legendary British doom band, Paradise Lost have taken on a much stranger tone with their newer albums, but I love it. The biggest thing for me was the hooks all throughout this album, it’ll stay with you for MANY days after you hear it.
32 down – down iv part 1 purple ep
With this first of four EP’s, the boys from Nola seem to have gotten in touch with their Saint Vitus influence and I couldn’t be happier. I just hope the next three EP’s sound this awesome.
33 dying fetus – reign supreme
2012 was an amazing year for brutal death metal, particularly when a band like Dying Fetus comes out with a back-to-basics death metal album full of the slams and monstrous blast beats their fans know and love them for.
34 norska – norska
Though this album is a reissue, it was one of the finest doom albums I’ve heard all year thanks to their incredibly creative riffs. These guys definitely offer up a fresh take on a genre that is sometimes lacking in the freshness department.
35 unsane – wreck
Some people call Unsane noise rock, but it’s more than that. It’s a heavy, groovy, bruiser of an album. Chris Spencer’s voice is also incredibly grating and it never gets old to me.
36 prong – carved in stone
Tommy Victor perfected the art of “groove metal”, and when you hear this album, you’ll understand why. The man can also still write a hook like nobody’s business.
37 bison bc – lovelessness
Though these guys are a mix of stoner metal and Mastodon, they have managed to progress more and more with each album, culminating in one of the best albums of their career. This is another album that’s great for drinkin heavily and drivin fast.
38 ihsahn – eremita
The former Emperor main man has always managed to stay ahead of the curve as far as prog metal goes. “Eagle And The Snake” is one of my favorite songs of the year.
39 Nile – At The Gates Of Sethu
Another burly, technical, semi-eerie slab of Egyptian death metal from the only band in America that knows how to do it.
40 The Faceless – Autotheism
Definitely a change of pace for these guys from their previous albums due to a new vocalist, but still just as proggy and brutal as ever, with a touch of Opeth for good measure.
41 Grand Supreme Blood Court – Bow Down Before The Blood Court
One of the loudest albums I’ve heard all year. Seriously, it’s impossible to turn it up very loud without blowing out your ear drums. It’s brutal, old school death metal featuring current and former members of Asphyx.
42 Kreator – Phantom Antichrist
This album features a legendary German thrash band doing what legendary German thrash bands do…playing fast, infectious thrash metal.
43 Katatonia – Dead End Kings
This album is absolutely gorgeous at times. It seems that this album is quite a bit more melodic than previous records, and they also don’t sound like Chevelle anymore, thankfully.
44 Murder Construct – Results
Absolutely bloody grind/death metal from members of Pig Destroyer, Intronaut and more. Fast and violent win the race.
45 A Life Once Lost – Ecstatic Trance
This is their first new album in a while, but stylistically, they are just as nuts as ever. The manner in which they layer a crap-ton of awesome solos and leads over a huge, monstrous groove is just amazing to me.
46 haarp – Husks
These guys are one of the best bands going in New Orleans these days, so it’s not a surprise that this album is awesome. What did surprise me, however, was the fact that it only has three songs…three very long, brutal, depressing songs.
47 Bereft – Liechenhaus
This band features current and past members of bands like Intronaut, The Faceless and Abysmal Dawn, so I didn’t know what to expect from them style-wise. The end result is a ten-ton mountain of soul-crushing doom.
48 Nachtmystium – The Silencing Machine
The boys from Chicago broke away from the Meddle theme of their last two albums and went back to making hateful black metal. The results are exactly what you’d expect, only a little better due to better production, as well as a still-lingering Floyd influence.
49 High On Fire – De Vermis Mysteriis
Matt Pike is a complete monster, plain and simple. When you combine his amazing songwriting abilities with Kurt Ballou’s incredible production, good things are bound to happen.
50 Burning Love – Rotten Thing To Say
I listened to this album because their singer is Chris Colohan from Cursed. I fell in love with it because of their hardcore-punk mentality with some rock n’ roll thrown in for good measure.
51 Cannibal Corpse – Torture
If you have ever heard Cannibal Corpse, then you know what this album sounds like. Brutal lyrics and an uncompromisingly punishing form of death metal have been their calling card for 20 years.
52 Car Bomb – w-^-w-^^-w-^-w
This album reminds me of a mixture of Dillinger and Meshuggah, but at times fastier and groovier and a little more insane.
53 Castle – Blacklands
This album has a bit of a thrash metal influence, but it’s tuned way down and has a cool doom-rock vibe to it.
54 Bell Witch – Longing
Very emotionally-draining, super intense funeral doom. It’s made by just two guys, but you sure can’t tell due to the intense, soul-eviscerating riffs.
55 Horrendous – The Chills
Many bands try to sound like Entombed, few manage to pull it off the way these guys do. I’m a big fan of old school death metal, and apparently these guys are too, because this record could have come out in 1991, easily.
56 Angel Witch – As Above, So Below
I’m so glad that these guys got a real record label, because the production on this album is amazing. Music-wise, it’s exactly the kind of old school, epic metal you’d expect from one of the O.G. NWOBHM bands.
57 Candlemass – Psalms For The Dead
Epicus. Doomicus. Metallicus. This is supposedly their last album, and it’s got all of their typical bells & whistles to leave fans with a good taste in their mouths.
58 Pelican – Ataraxia Taraxis
Though this isn’t really the Pelican I’ve grown to love, I think I can appreciate what they were going for with this Ep. It’s way more rock n’ roll than their previous albums to say the least.
59 Dawnbringer – Into The Lair Of The Sun God
The only genre I could really give this album would be “heavy metal”. It’s throwback, epic metal with classic rock vocals, basically.
60 Gaza – No Absolutes In Human Suffering
It seems these guys get angrier and nastier with every album. At this point, they remind me of a hardcore band who tried to make technical death metal.
61 Gojira – L’Enfant Sauvage
I assumed that signing to a huge label would ruin these guys, but it actually made their unique brand of groovy, technical metal even heavier and more preposterous.
62 D.I.S. – Becoming Wrath
The letters in their name means destroyed in seconds, which is kind of a fitting band name for this incredibly mean-spirited mix of black metal, death metal and hardcore.
63 Cryptopsy – Cryptopsy
They finally got back to making violent, dizzying technical death metal, and it paid massive dividends.
64 Hooded Menace – Effigies Of Evil
A very cool mixture of death and doom metal, with a dash of horror samples to make it even more terrifying.
65 Swans – The Seer
This album was almost too much for me to take in due to it’s length. It’s not really metal by the standard definition, but it’s the kind of sprawling, gorgeous album that is very rewarding when you let it sink in.
66 Anaal Nathrakh – Vanitas
Loud and abrasive would be the operative words to describe this album. It’s blackened death metal with a sprinkle of weirdness.
67 Evoken – Atra Mors
Slow, plodding, depressing funeral doom. The perfect album to listen to while walking through the woods at night.
68 Dysrhythmia – Test Of Submission
Brain-rattlingly technical instrumental metal. Colin Marston knows how to make instrumental metal not boring.
69 Ancestors – In Dreams And Time
Very dreamy, sludgy post-metal. Great music to sleep to.
70 Daylight Dies – A Frail Becoming
A nice mixture of doom and death metal. It could be said that this is what Opeth should sound like these days.
71 Spawn Of Possession – Incurso
Insane, technical death metal. They seriously cram like 5,000 riffs into each song. Incredibly brutal.
72 Fight Amp – Birth Control
This album is also very hard to classify. I would say they are like Torche, but with maybe a bit more of a Jesus Lizard influence.
73 Evocation – Illusions Of Grandeur
More old school death metal that uses the crap out of the HM-2 pedal. Incredibly heavy and awesome.
74 Dragged Into Sunlight – Widowmaker
A nice, depressing, terrifying mixture of death and doom, but it’s more like the soundtrack to a serial murder, honestly.
75 Agalloch – Faustian Echoes
One twenty minute song of melodic, gorgeous, Agallochian black metal.
76 Gypsyhawk – Revelry And Resilience
Upbeat, throwback rock n’ roll just the way I like it. They have an amazing Rick Derringer cover on here as well.
77 Samothrace – Reverence To Stone
This album has just two songs, but both of them are thick, depressing and heavy as hell doom.
78 Kowloon Walled City – Container Ships
Very sludgy metal that’s hard to define, but they remind me of bands like Torche that have a rock n’ roll influence mixed in with doom.
79 Mutilation Rites – Empyrean
Very dense black metal, but also got elements of crust and thrash to keep it interesting.
80 Aborted – Global Flatline
Brutal Swedish goregrind/death metal with some…creative song titles. This record also has some cool guest vocalists like Trevor Strnad of Black Dahlia.
81 Old Man Gloom – NO
This album wasn’t as awesome as I initially thought it’d be, but when it hits the heavier songs, it definitely brings enough thunder to make up for the slower parts.
82 Chrome Waves – Chrome Waves
Can’t decide if this album is black metal or not, but it’s definitely fast, chaotic and intense. Stavros from Atlas Moth does an insane job on the vocals, the most unique part of the album.
83 Ram – Death
Traditional heavy metal in the vein of Judas Priest or Dio-era Sabbath.
84 Dethklok – Dethalbum III
Their last album was incredibly boring, so I was shocked to hear how brutal this album turned out to be. Then again, anything with Gene Hoglan is going to be at least a little awesome.
85 Mares Of Thrace – The Pilgrimage
Very eerie stoner/doom similar to The Melvins, but with a lot of shred and a lot of very intense passages.
86 Wizard Rifle – Speak Loud Say Nothing
Spastic mix of garage rock and sludge metal. Reminds me of a more spastic version of Pissed Jeans
87 Enabler – All Hail The Void
An insanely fun mix of black metal, punk and hardcore.
88 Zombiefication – Reaper’s Consecration
Incredibly vicious old school death metal. They’re clearly fans of Entombed and Autopsy.
89 Sons Of Tonatiuh – Parade Of Sorrow
A raw mixture of sludge/doom and punk from Georgia, but they sound like a band you’d hear opening for Eyehategod or Crowbar in New Orleans.
90 Hour Of Penance – Sedition
Insane technical death metal, but unlike some bands who just wank it Necrophagist-style…they are more hellbent on speed than anything.
91 Unconscious Disturbance – Mind’s Corner
Creative progressive rock with a jazzy touch, as well as Human-era Chuck Schuldineresque vocals.
92 Antigama – Stop The Chaos
Straight up face-smashing, creative grind.
93 Acephalix – Deathless Master
Brutal old school death metal done the right way.
94 Aura Noir – Out To Die
Awesome mix of old school thrash and black metal. Very similar to Venom or Celtic Frost.
95 Tiamat – The Scarred People
An absolute classic from the old school progressive death metal band turned into semi-gothic doom metal stalwarts.
96 National Sunday Law – Festival Of The Horned God
Ridiculously crushing atmospheric doom. Nice, beautiful acoustic passages one minute, insanely heavy doom riffs crashing down the next.
97 Vaginal Bear Trap – Just The Tip
Incredibly catchy goregrind/death metal. Also, best band name ever.
98 Martyrdod – Paranoia
Blistering blackened crust punk/thrash.
99 Grave Disgrace – Grave Disgrace
Very obscure Russian sludge/stoner doom that I stumbled on randomly, but fell in love with.
100 Abigail Williams – Becoming
Surprisingly good, epic black metal. Definitely their best album.
With all of the great albums that have come out this year, it really appears that October definitely wins the award of best month for metal. With this review column, I wanted to touch on a few of my favorite albums of the month, in fact, I can guarantee you that all of these will be on my favorite albums of the year list. Also, keep in mind, this is the 99th post I’ve made on this blog, which means the next will be number 100, something I’m very excited about. Stay tuned to find out what post number 100 has in store.
Neurosis is a band that continues to reinvent themselves more and more with each album. Honor Found In Decay is their tenth studio album, yet it sounds like no album before it. To prove this theory, I listened to their entire discography including Honor; the closest it came to any previous album were on parts of Times Of Grace, and a few tracks on Eye of Every Storm. The album features plenty of their signatures, particularly crushing riffs combined with beautiful interludes, as well as the devastating vocal duo of Scott Kelly and Steve Von Till trading apocalyptic roars. One element on the album that I think has been lacking on the past few Neurosis records, however, is a cohesiveness that keeps the album from getting boring. On past Neurosis albums, specifically on Eye Of Every Storm and Given To The Rising, there were moments where the songs wander off and get a tad boring. On Honor, however, the songs are catchier, and they have more of those signature moments that make Through Silver In Blood and Times Of Grace so legendary. Needless to say, though it sounds quite different from past records, Honor Found In Decay sounds like a Neurosis album without question and it works perfectly in the grand scheme of what they’re trying to achieve. It’s also one of the best albums you’ll hear all year.
Obviously, there of plenty of bands who keep getting better and better with age, but in my opinion, there are two bands in the metal community that are the most glowing examples of this. One of those bands is Napalm Death, but the other, in my opinion is Converge. Their 2001 masterpiece Jane Doe has been heralded as one of the best ever; however, it appears that with each new album, they improve more on its blueprint. With All We Love We Leave Behind, Converge have returned once again, and showcased just how good they really are at their craft. This album has everything you look for in a Converge album, specifically the fast, punishing rhythms courtesy of Nate Newton and Kurt Ballou, as well as the rapid fire drum cadences of Ben Koller, but in my opinion, however, it’s much angrier than their past few albums and reminds me a lot of You Fail Me. Converge are a band I’ve always admired for their D.I.Y. approach, and revered for their bonecrushing, angry, intensely heavy songs, and All We Love We Leave Behind is another awesome record for fans to add to their collection between Coliseum and Coroner.
After the release of 2007’s mind-number opus Phantom Limb, it seems that Pig Destroyer’s Book Burner has been everyone’s most anticipated metal album each year since 2007. The album has finally come out and it definitely doesn’t disappoint, in fact, it may be better than Phantom Limb. Pig Destroyer’s main strength is their ability to write incredibly catchy grindcore songs, yet still make them go 120 mph. Other than Scott Hull’s never-ending supply of awesome riffs, the real aspect of this album that I enjoy is the drumming by Adam Jarvis of Misery Index. His excellence behind the kit is most on display on tracks like “Iron Drunk” and “Baltimore Strangler” which feature drum fills just as dizzying as anything heard on a Misery Index album. Other than writing a lot of fast grindcore riffs that have catchy hooks, the album also features plenty of riffs that are designed just for moshing, specifically on “Valley Of The Guysers” and “The Diplomat”. In my opinion, this really is one of the most important metal releases of the year thanks to it’s blistering speed and Scott Hull’s incredibly creative riffs that stay with you all day long and pound away at your sanity.
The Sword is a band that can only be described as vintage. Everything about their style is a throwback to a previous era; whether it be their sci-fi riff rock, or their Lovecraftian album covers, these guys showcase a love of those that came before. Apocryphon is their first album for Razor & Tie and though it demonstrates their love of all things ZZ Top, it also hints slightly at the songwriting from their first older material. This album features a lot of bad ass southern rock riffs and is perfect to listen to while drinking, or doing lines off of a loose woman while going 120 down a desert road. Many fans criticized their last album Warp Riders for being more commercial than previous material, but it appears that on Apocryphon they took the elements that made Warp Riders good, and tweaked it just a bit. One of the highlights of the album for me is the incredible synth on the song “Apocryphon” as well as its incredible chugging main riff. If you like your metal full of solos, soaked in bong water, and reminiscent of Thin Lizzy’s heyday, The Sword are definitely your new favorite band.
Enslaved – RIITIIR
Enslaved are certainly one of the more interesting black metal bands you’ll ever hear, mostly because they are a band who’s constantly changing and improving their sound. RIITIIR is their twelfth album, yet it sounds like nothing in their discography. Sure, the scathing, demonical growls from Ruun and Vertebrae are present, however, the beautiful, clean vocals that made Axioma Ethica Odini so incredible are also back. The most important aspect of this album, and any album with horrifyingly nasty growls and beautiful clean vocals, is allowing them to play perfectly off of each other. On RIITIIR, vocalist Grutle Kjellson puts on the vocal performance of his life, particularly on the track “Roots Of The Mountain”. Musically, the album has some black metal elements, but the real magic at work here is their prog influence. Though they sound like newer Opeth at times, they continue to forge a sound that’s incredibly unique in the way it meshes the violent heavy parts, and the expansive prog parts that would make the perfect soundtrack to a mountain climb. If you’re a fan of incredibly expansive black metal, or an Enslaved fan in general, I think there’s no chance this album will leave you disappointed
There are very few things in life that I regret, however, there is one thing that I regret tremendously. I had tickets to the inaugural “Sounds Of The Underground” fest in 2005 featuring bands like High On Fire, Opeth, and Strapping Young Lad, but unfortunately, I arrived late and missed the opening band. That band happened to be A Life Once Lost. Since the release of their 2005 album “Hunter”, I’ve been very interested in this band, and though I was disappointed with their 2007 album Iron Gag, I feel that with Ecstatic Trance, they are back on target. The one thing that describes A Life Once Lost’s sound is groove. They have more groove than a 1,000,000 square foot record store featuring only albums by Meshuggah and Prong. On Ecstatic Trance, that groove takes the stage in the form of some very Meshuggah-esque riffing, but every time they work on the same groovy riff for a while, it’s accompanied by some incredible soloing courtesy of one of the bands two found members, Snake Sustaine. This album has its metalcore moments, but mostly it’s solid grooves accompanied by guitar solos, and though it’s not as good as Hunter, it’s definitely a good push back in the right direction.
2011 was an incredible year for metal, without question. The best part is, 2012 is also shaping up to be a monumental year for metal. 2011 was a year full of releses from fantastic new bands like Atriarch, Disma, and Vallenfyre, but 2012 will be the year that some of the genre’s best put out new albums. This list i’m making is completely ridiculous because it’s based solely on predictions by both myself and record labels and even other magazines.
*UPDATE*: I have included links to my reviews for all of the albums on this list, so check them out if you are wanting a better idea of what some of these records sound like. Also, for more information on awesome upcoming releases, check out my Facebook page.
The first part of this list are all the albums coming out in the next few months with already confirmed street dates, that i will definitely be listening to.
The legendary goregrinders are back with a new record and i have a feeling it’s going to be a monster. Will have guest appearances from members of Black Dahlia Murder, Misery Index, Rotten Sound, and Benighted
This band has gotten more and more boring over the years as they’ve become bigger and bigger, but i have a feeling this album will be pretty decent at least. They benefit from dropping it at a time with no other big records dropping. No offense to Aborted, of course.
Super progressive grind album from Matt Widener of Cretin. First song i heard had a swedish death metal type tone and seems like it’ll be a solid album.
I don’t like technical death metal near as much as i did when i was younger, but if i did i’d be stoked to hear a new Psycroptic album. I’ll definitely give it a listenthough.
This is a band i haven’t listened to alot, but Martin Va Drunen is a legend in the death/doom community and with a limited amount of albums distracting from it, it has potential to gain alot of attention.
This will be their eigth album, and first with the Animosity era lineup in a really long time. I have a feeling this album is going to either be incredibly mediocre, or it’s going to absolutely rule, there’s not much grey area when a band goes from crossover to southern metal and attempts to go back to it’s crossover lineup and recreate magic.
I will guarantee you that i’ll be purchasing this album and listening to it non-stop upon it’s release. It seems that every single Napalm album gets better than the one before it, and judging by how good “Time Waits For No Slave” was, this album is going to be a monster.
This album is basically a re-recording of all of Autopsy’s random demo’s they’ve recorded over the years. There could be some terrible songs on there, but more than likely it’s going to sound alot like Macabre Eternal and it’ll completely kill.
Already pre-ordered this album. Old school metal aesthetic played with a classic rock tone. This album is recommended for anyone who likes Heart, Motorhead, or awesome hard rock/heavy metal.
Saint Vitus – Lillie: F-65 (north american release date delayed)
I have no idea what this album title is in reference to, and I really don’t care. So glad they are finally scheduled to release this album, they played a new song when i saw them in New Orleans and it was fantastic. Wino’s voice sounds awesome on record these days so this album will be one of the best of the year, I truly believe.
Testament – The Dark Roots Of Earth 4/27/2012
One of the greatest thrash metal bands of all time. This is the followup to their last album which blew the doors off of their back catalogue and this album will do the same. Also some guy named Gene Hoglan did drums on this album, not sure if he’s any good, but I think this record will rule.
The second part of my most anticipated list are bands who’ve either been advertised to put out a new album, or who i’ve heard rumored to be putting something out this year. A few of these are just rumors, some are being recorded as we speak, but if even a few of them actually put out records like they’re supposed to, 2012 will be another epic year for metal.
Admittedly, I sort of hate the guitar tone Slayer has taken on over the last 20 years, but i’d be lying if i said i’m not excited to hear them put out new music, specifically more stuff that sounds like “Psycopathy Red”.
I have a feeling that if they release a new record this year, it’s going to sound completely different from anything they’ve done before, which may or may not be a good thing. I can definitely say that it’s going to be worth listening to for sure.
Unlike the first 2 bands in this list, there is not a single doubt in my mind that if their new album is released this year…it will char the skin off of all who get in it’s way. So ready to hear new material from PxDx.
If Axe To Fall is any indication on where these guys are headed, they are going to release another unquestionable album of the year candidate.
High On Fire
Snakes For The Divine was a landmark release by Matt Pike and co, but I think that if they can build on the formula they started with that album, that the new one that’s being recorded right now will be just as deadly, if not moreso.
Supposedly they are going to do part 3 in the Black Meddle series, but i could really care less, i’m ready to hear anything Blake Judd is ready to unleash.
I have a feeling there will definitely be a new Voivod album next year, and they have their original bassist back, plus a fantastic guitarist named Dan Mongrain, therefore I think their new album will run circles around their last 2 decades worth of material.
It seems that, with every new album these guys release, they reinvent themselves completely. Considering how awesome ObZen was, that fact alone means that whatever they put out this year will be purchased by me immediately upon it’s release.
This band also features Danny Walker from Exhumed/Murder Construct, but instead of playing death metal, they are more similar to bands like Isis, but they aren’t just another Cult of Neurisis band by any means and i’m sure guitarist/vocalist Sacha Dunable has more than a couple tricks up his sleeve that’ll make this album their best yet.
Neurosis is recoring an album right this very second with Steve Albini. No reason in wasting anymore words on this one. Very stoked.
Supposedly they are going to put out a new record 1 ep at a time until they’ve done 5. To me, it sounds like a waste of time not putting all of those songs on one disc, but they are good enough musicians, that i think it’ll be worth the wait.
I heard they were supposed to put out a new album in 2011, but nothing ever came of it. I’m really hoping they release the follow up to Watershed this year so that they can finally prove they are still an awesome death metal band and not a bunch of folk rock wannabes like people claimed Mikael Akerfeldt was trying to turn them into.
Other albums supposed to be coming out in 2012 i’m looking forward to:
Kyuss Lives! (not really metal, but still amazing)